Slapface (2022) Review – A Messy and Muddled Metaphor for Abuse
Slapface: Quick Verdict
The Verdict: A disjointed and poorly executed attempt at “elevated” horror that fails to deliver either effective scares or a coherent social message. Slapface (2022) succeeds only in its initial atmosphere, but quickly dissolves into a turgid drama weighed down by a nonsensical script and some genuinely questionable acting. While the core theme of the cycle of abuse is a worthy subject, the film’s hamfisted metaphors and ridiculous monster interactions turn a serious topic into unintentional comedy. August Maturo provides a serviceable lead performance, but the surrounding cast, particularly a stiff Mike Manning, fails to bring any gravity to the tragic circumstances. The creature design, while imposing, is utilised in ways that feel more like a kid’s movie than a psychological thriller. This 2 star effort is a frustratingly messy expansion of a short film that lacks the focus to sustain a feature-length runtime. It is a muddled, poorly paced, and ultimately boring experience. It is one to skip for serious genre fans.
Details: Director: Jeremiah Kipp | Cast: August Maturo, Mike Manning, Libe Barer | Runtime: 1h 25m | Release Date: 2022
Best for: Less demanding viewers or teens who enjoy metaphor-heavy “monster” stories without requiring high-level execution.
Worth noting: The film is a feature-length adaptation of director Jeremiah Kipp’s own 2017 short of the same name.
Where to Watch: Shudder, Amazon🛒
Rating: 2/5 Stars
(A muddled and poorly paced creature feature that fails to translate its message of abuse into a compelling horror narrative, resulting in a disjointed and often unintentionally funny experience.)
Welcome to Knockout Horror and our review of Shudder original horror movie Slapface.
Table of Contents
Horror, mystery, social commentary, psychological, creature feature
I have just added a Slapface Ending Explained article for you guys to check out. There will be spoilers, unlike this review, so keep that in mind.
“It’s a weird title, right? The name “Slapface” comes from a game that Lucas’s brother makes him play. As you can perhaps guess, it’s a type of abuse disguised as fun.”
Slapface is a “monster in the woods” type story directed and written by Jeremiah Kipp that started life as a short movie. As with a lot of shorts, the story doesn’t really work stretched to a feature film. The story mostly focuses on young teen Lucas (August Maturo) who has recently lost his parents and is being cared for by his older brother Tom (Mike Manning). Lucas is bullied by both his older brother and a pair of local twins. Seeking a place away from his troubles, he wanders into an abandoned asylum where he meets a monster. A monster he befriends and will soon become just a little overprotective.
It’s a weird title, right? The name “Slapface” comes from a game that Lucas’s brother makes him play. As you can perhaps guess, it’s a type of abuse disguised as fun and it plays into the movie’s greater theme. This is a story that puts the spotlight on bullying and the societal impact of abuse. The cycle of abuse is apparent in Lucas’s domestic life and his social life is no better.
It’s very poorly executed
This is a fine message but it is very poorly executed. The movie basically portrays Lucas as something of a depressed kid. He has no friends and the bulk of the film reflects that. A troubled home life and an even worse school life make for fairly dull drama. It’s not until we get to the monster stuff that the film picks up a little. Lucas meets the monster while he is alone in an abandoned asylum.
The monster follows Lucas home and basically acts as a metaphorical representation of what happens when the cycle of abuse finally leads to a desire for revenge. People die, society suffers, and the person responsible blames the people around them or a “monster” inside them manifested by said abuse.
“The monster is probably the best part of Slapface and has potential to be scary. As it stands however, it had me laughing at various points for how ridiculous it is.”
It’s all there in spades, despite the film presenting itself as a simple creature feature. Lucas is harmed by those around him, he spends a lot of time alone, while alone he manifests something horrifying, when he finally snaps that manifested horror is made flesh and people die as a result. It’s hamfisted, rote, not as smart as it thinks, and above all kind of ridiculous.
It’s comical and kind of ridiculous
The monster is probably the best part of Slapface and actually has some potential to be quite scary. As it stands however, it had me laughing at various points of the movie for how ridiculous it is. It looks pretty crap and it’s best viewed as something of an imaginary friend to Lucas. Hell, it even plays as a surrogate parent, at times.
With this in mind, you can probably imagine the scenarios the pair get up to. Lucas lacks a parental figure that isn’t a complete prick-hole. He’s going to use this monster to fill in that emotional support gap. The things that Lucas and the monster do together had me thinking of Mac and Me or Chunk and Sloth in the Goonies. They play games, frolic, and generally get up to mischief.
From a narrative standpoint, it makes sense. After all, the monster is a reflection of Lucas’ childish side and acts childish along with him. Given the potential mental illness implication that would actually make a lot of sense. It just didn’t fit with the vibe of the film and felt incredibly awkward in parts.
Shouldn’t I be creeped out by this monster? Not laughing my ass off repeatedly because it acts like a Sesame Street character. The monster may have a greater impact on other viewers but it just didn’t work for me despite looking quite imposing. Some of the close up shots of the monster’s face looked a bit cheesy and lame, which didn’t help.
Poor acting, pacing, and a messy story
Scripting and story is a huge problem, here. My fiancée summarised the layout of the narrative really well. She described it as the script having blown off the table so they didn’t know which order it went back together in. A lot of the events make no sense and there are too many points in the movie that just seem needless. It all adds up to an 85 minute movie that feels 200 minutes long. Maybe this is due to editing? I’m not sure but it’s nonsensical in its framing.
“The script feels as if it blew off the table and they didn’t know which order it went back together in. A lot of the events make no sense and feel needless.”
Acting is generally okay but, in parts, it is terrible. Mike Manning, who plays Tom, is absolutely awful. This dude has apparently won an Emmy? Do they give those out in cereal boxes now? He was a low point for the movie and steals any potential gravity from every scene he is in. He is one of those actors that has a perma-smile, as well, which undermines some of the events. Perhaps he just realised how little he was working with and phoned his performance in.
Libe Barer, who plays Anna, is fine and seems pretty authentic in her role as well as helping Mike Manning not seem so stiff in the scenes they share. August Maturo is okay in the lead role of Lucas but his constant crying towards the end came across pretty hammy and fairly annoying. Everyone else is somewhere in between adequate and awful.
I should add that movies like this are critical darlings and this has 90%+ on Rotten Tomatoes. People who review horror love this metaphorical stuff. I’m not a critic, though. I’m a guy that watches horror and it didn’t resonate with me or the couple thousand people who have it as a 5.1/10 on IMDb.
The Good, The Bad & The Ugly
The Good
- Monster Design: The creature itself has a decent, imposing look that could have been terrifying if used in a more competent production.
- Libe Barer: Provides the film’s most natural performance, bringing a sense of authenticity to an otherwise stiff and awkward ensemble.
- Worthy Theme: The film’s focus on the cyclical nature of domestic abuse is a strong foundation, even if the execution fails it.
The Bad
- Poor Pacing: Despite being only 85 minutes long, the film feels double that due to a repetitive script and a lack of narrative momentum.
- Stiff Acting: Mike Manning delivers a remarkably wooden performance that undercuts any emotional weight the story attempts to build.
- Nonsensical Script: The order of events and character motivations often feel disjointed and logically inconsistent.
The Ugly: The Surrogate Parenting. The “wholesome” interactions between the boy and the monster are so ridiculous they border on Sesame Street parody.
Should You Watch Slapface?
No. It is a 2 star film that struggles to justify its feature-length runtime. While the monster design is interesting, the film is too muddled, poorly paced, and unintentionally funny to recommend to serious horror fans. If you enjoy “elevated” metaphors but don’t mind them being delivered with the subtlety of a sledgehammer, you might find something here, but most will simply find it boring. It is a technical failure of storytelling that sinks under its own weight.
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