Arkasha Stevenson takes us back to 1971 Rome for the origins of Damien in The First Omen. While the atmosphere is thick and the 70s aesthetic is spot on, does it offer enough to justify its existence?

Dutch Marich returns to the Nevada desert for Horror in the High Desert 3: Firewatch. Following influencer Oscar Mendoza, does this third entry progress the mystery or is it just more lore padding?

Isabel Gravitt stars in Dead Sea (2024), a low-budget thriller about a jet-ski trip gone wrong. Is there any substance beneath the surface, or is it just another generic ocean disaster?

Damian McCarthy proves that a shoestring budget is no barrier to terror. Caveat (2020) is a grimy, slow-burn haunting that introduces one of horror’s creepiest props.

Parker Finn makes his feature debut with the box-office smash Smile. Dealing with themes of trauma and psychosis, is this more than just a jump-scare heavy Hollywood thriller?

Scarlett Marlowe leads a documentary crew into the Paris catacombs in search of the Philosopher’s Stone. Ten years later, does As Above, So Below still deserve its cult status?

Daniel Kokotajlo delivers a grime-soaked ode to 1970s British horror with Starve Acre. Starring Matt Smith and Morfydd Clark, is this slow-burn folk horror worth the investment?

In a year of heavy hitters like Longlegs and MaXXXine, Damian McCarthy’s Oddity quietly emerges as the most complete horror experience of 2024. From its terrifying wooden man to Carolyn Bracken’s dual performance, this is essential viewing.

We are taking a look at another horror we have missed today in the form of Teresa Sutherland’s feature length debut Lovely, Dark and Deep.

The Poughkeepsie Tapes has gained a notorious reputation in found footage circles, but does it actually hold up? From weak acting to a repetitive structure, we look at why this mockumentary fails to live up to its cult status.