The Philippou brothers make a massive splash with their directorial debut, Talk to Me. An Australian supernatural horror that uses a severed hand as a gateway to the dead, is it a modern masterpiece?
Oz Perkins returns with the heavily marketed Longlegs (2024). Starring Maika Monroe and a gonzo Nicolas Cage, does this occult procedural redefine modern horror or just recycle the classics?
Billionaire Charles Abernathy invites his children home for a deadly birthday challenge in The Inheritance. Is this generic Hollywood horror worth your time?
Twin sisters and a power cut lead to 77 minutes of relentless screaming in Nyctophobia (2024). Produced by the RZA, does this Tubi original offer any genuine chills?
Claudio Fäh attempts to liven up the shark genre with No Way Up (2024). Swapping sinking boats for a crashed airliner, does this claustrophobic survival thriller deliver?
Laura Moss makes a striking debut with Birth/Rebirth, a cold and clinical reimagining of the Frankenstein myth. Is this feminist body horror a modern classic?
Caye Casas delivers one of the darkest horror-comedies in years with The Coffee Table. A simple domestic dispute over furniture spiralling into a nightmare of pure anxiety and cruelty.
Jane Schoenbrun follows up We’re All Going to the World’s Fair with a neon-drenched, surreal trans allegory. But is I Saw the TV Glow actually a horror movie?
Confused by the ending of MaXXXine? We break down the Night Stalker twist, reveal the true identity of the killer, and explain exactly what happened at the Hollywood sign.
Maxine Minx heads to Hollywood in the final chapter of Ti West’s trilogy. Trading the slasher grit of X for an 80s crime aesthetic, is MaXXXine a fitting conclusion or a messy departure?
Ti West swaps the 70s grit of X for the oversaturated Technicolor of the 1910s in Pearl. Starring Mia Goth in a career-defining role, this is a character study that cuts deep.
Ti West returns to horror with X, a love letter to 70s exploitation and Tobe Hooper. Starring Mia Goth and Jenna Ortega, is this more than just a stylish exercise in nostalgia?