Found-footage horror doesn’t get much more miserable than this. We break down the deeply uncomfortable ending to the British thriller Exhibit A (2007), exploring the terrifying reality of toxic pride, family annihilators, and a bloke who just couldn’t face the music.
Confused by the explosive finale of Cold Storage (2026)? We crack open the containment unit to explain why Robert Quinn used a tactical nuke, who survived the outbreak and what that final vomiting deer really means for the future of humanity.
Dropbear is an objectively terrible movie that manages to be an absolute riot for the right audience. It’s a z-grade creature feature that leans heavily into its absurd premise, offering farcical kills and special effects that are, frankly, completely pants. While the joke wears a bit thin by the final act, if you fancy watching killer koalas rip out throats while the cast plays it straight, this “so bad it’s good” gem is perfect for a beer-and-pizza night.
New Fears Eve is a gloriously unapologetic throwback to the era of “bottom shelf” rental gems. While it struggles with a slow setup and some flat acting, the film overcomes its low-budget limitations with a relentless commitment to creative, stomach-churning practical effects and a high kill count. If you value “the red stuff” over high-brow plotting, this office-party-gone-wrong is a bloody good time that knows exactly what it is.
The Confession (2025) offers a genuinely fresh take on the Pied Piper folklore, but can it survive a script that seems determined to bury it under a mountain of generic supernatural tropes and terrible CGI? We take a look at this frustrating exercise in wasted potential.
In The Confession (2025), a mother’s attempt to save her son from a supernatural legacy leads to a devastating twist. We break down the Piper’s debt, the flooded valley lore, and that chilling final scene. Read our full Ending Explained analysis here.
Evidence of the Boogeyman (2025) is a textbook example of found footage padding. While it features a gnarly 80s-style monster and a charismatic lead in Naomi Mechem-Miller, the 94-minute runtime is filled with repetitive “nontent” and a plot that feels like it’s running on a default setting. It’s free on Tubi, but is it worth your time? Let’s find out.
Confused by the ending of Pontypool (2008)? You aren’t alone. Today we break down the complex logic behind the film’s “language virus,” explain why “Kill” means “Kiss,” and dive into that bizarre post-credits scene to figure out if Grant and Sydney really survived.
We dive into the deep end of the infinity pool to explain the ending to Primate (2025). Expect jaw-dropping violence (literally) and a tragic finale as we break down why the monkey went bananas.
If found footage horror comes in a multitude of different flavours, Tyler Russell’s The Hem (2025) would be vanilla. A by-the-numbers tale of a haunted church and a spooky bride, it’s the kind of movie made for the undemanding horror fan who prefers familiarity over surprises. We take a look.
An irreverent deep dive into the orca-sized carnage of Killer Whale (2026). We explain Ceto’s trauma, Trish’s betrayal, and how a cello endpin saved the day.
Killer Whale (2026) continues the January tradition of terrible aquatic horror movies. Despite a committed performance from Virginia Gardner, this seasploitation flick is sunk by abysmal green screen effects, a remedial script, and a surprisingly boring narrative. Read our full review to see why you should stay on dry land.