Matthew Butler-Hart’s The Isle is a visual treat that sinks under the weight of terrible acting and a turgid script. A period mystery that fails as a horror movie.

Natalie Erika James’ Relic is a masterclass in atmosphere but a questionable horror film. A slow-burn drama that uses a haunted house as a metaphor for dementia.

Don’t go into Saint Maud expecting a traditional horror movie. This is something else entirely: a sad, harrowing, and utterly compelling psychological study of a young nurse’s descent into madness. A stunning directorial debut that’s more interested in disturbing you than scaring you. Click to read our full, spoiler-free thoughts.

Matt Palmer’s Calibre is a visceral, high-tension masterpiece. A harrowing British thriller that explores the devastating consequences of a single, tragic mistake.

Jeremiah Kipp’s Slapface is a muddled and poorly paced creature feature. A “monster in the woods” tale that struggles to balance its horror with hamfisted metaphors.

The Wretched is a watchable, teen-centric horror with standout practical effects. While the plot is underdeveloped, it offers a fresh twist on witch folklore.

No One Gets Out Alive is a middle-of-the-road haunting with a unique social hook. A gritty look at the immigrant experience that sinks under generic horror tropes.

Happy Death Day is a riotous blend of slasher thrills and time-loop comedy. A fresh, energetic whodunit that breathes new life into the teen slasher genre.