Scream 2 (1997) Review – It’s More Of The Same But In a Good Way
Scream 2 (1997): Quick Verdict
The TL;DR: Scream 2 (1997) is Wes Craven and Kevin Williamson’s rapid-fire follow-up to the meta-slasher phenomenon that revitalised 90s horror. Transporting a traumatised Sidney Prescott (Neve Campbell) to Windsor College alongside returning fan-favourites Gale Weathers (Courteney Cox), Dewey Riley (David Arquette), and Randy Meeks (Jamie Kennedy), the film trades high school halls for campus grounds while leaning hard into the cinematic rules of horror sequels. Despite an insanely rushed production plagued by script leaks and constant rewrites, it manages to deliver some decent set pieces (including an iconic cinema prologue). It suffers from noticeable mid-film pacing bloat, a jarring audio mix, and a somewhat messy killer reveal, but as a snappy, high-body-count campus slasher, it remains one of the stronger sequels in the franchise.
Details: Director: Wes Craven | Writer: Kevin Williamson | Cast: Neve Campbell, Courteney Cox, David Arquette, Jamie Kennedy, Jerry O’Connell, Laurie Metcalf, Timothy Olyphant | Runtime: Approx. 120 Minutes | Release Date: December 1997 | Where to Watch: Paramount+ / Digital VOD / Physical Media
Best For: 90s slasher devotees, Ghostface aficionados, and viewers looking for smart horror sequels that dissect their own genre tropes.
Worth Noting: Tracking our Ghostface coverage? Revisit our retrospective review of the original Scream (1996), or jump ahead to our review of the franchise’s modern revival in Scream 7.
Did You Know: Day 9 of our 31 Days of Halloween 2026 feature! Looking for a day-to-day horror marathon to follow this October with a theme each day and a few movies to choose from? Check out our 31 Days of Halloween 2026 Ultimate Marathon.
Is It Scary: Operates primarily as a witty, suspenseful whodunit mystery punctuated by vicious, fast-paced knife attacks, tense cat-and-mouse stalk sequences, and an elevated body count.
Rating: 3.5/5 Stars
(A rapid, bloodier campus redux that smartly exploits sequel tropes despite behind-the-scenes chaos.)
Welcome to Knockout Horror. It’s day 9 of our 31 Days of Halloween 2026 feature and today we are checking out the follow up to Wes Craven’s genre-altering slasher – Scream 2 (1997). This is going to be a really tough review to write without repeatedly using the phrase “more of the same” because that is exactly what this is. Let’s take a look.
Table of Contents
A Movie That Revived a Sub-Genre
We covered the first Scream (1996) movie in October of last year so I figured it was only right to check out the follow up this October.
It’s impossible to even talk about this series without giving a little nod to just how important it was to a floundering horror genre back in the mid-90s. Scream’s incredibly clever and self-aware plot breathed new life into a genre that people were, frankly, a bit tired of.

Rather than playing out as yet another facsimile slasher film, Wes Craven expanded on everything he started in New Nightmare back in 1994 and refined the formula down to an art. Scream was ultra meta and immensely witty.
Characters were acutely aware of horror films and they were as jaded by them as the people watching. They recognised all the tropes and, often, called them as they happened. Scream felt smart, it felt trendy, it felt different, and it felt like the breath of fresh air the horror genre needed at the time.
“Scream’s incredibly clever and self-aware plot breathed new life into a genre that people were, frankly, a bit tired of.”
As a result of this freshness, it also became an immense box-office hit returning over $170 million on a $15 million budget. Wes Craven was, once again, one of the best directors in horror and Kevin Williamson was one of the genre’s brightest writers. A sequel was inevitable.
A rushed development
A sequel was so inevitable, in fact, that Dimension weren’t even willing to wait for Scream to leave the theatres before starting the paperwork.
Williamson had, in something of a smart move, pitched a sequel outline at the same time as pitching the script for the first movie. It was a sort of buy-one-get-one-free bundle to entice studios with a potential franchise rather than a one-off film.
Seeing the critical and financial success of the first film, Dimension decided to go for it. The original cast (at least the ones who survived the first bloodbath, anyway) all agreed to return and Wes Craven joined the project, once again, in the director’s chair.

To say that the production was fraught with difficulties would be something of an understatement. This was an immensely rushed process with a whole bunch of issues.
Dimension only gave the green light in March 1997. Nine weeks of filming began in June with a slated December release date which is barely any time at all to create a Hollywood blockbuster. Script rewrites became a daily occurrence thanks to plot leaks and Craven was sending his stars dummy scripts to make sure the killer stayed a secret.
Scream 2 was messy, rushed, and almost spoiled before it even had a chance to make it to theatres. With this in mind, it’s something of a wonder that it still ended up being a pretty great movie.
It’s basically a redux
Scream 2 is basically a beat-for-beat redux of the first movie.
“You have seen this entire movie before and, while that isn’t a huge problem because Scream felt so different, it is noticeable.”
The story follows Sidney Prescott (Neve Campbell) one year after the Woodsboro murders as she tries to find some normality at Windsor College, Ohio. What starts off as an escape from her past quickly turns into a nightmare when another Ghostface killer appears and begins killing students.
The setup here is virtually identical to the prior film, only with a much more experienced and hardened version of Sidney.
The movie opens with a pair of students being butchered by Ghostface. We meet Sidney, Sidney becomes aware of the killings, the killings suddenly become more closely connected to Sidney, before Sidney is threatened herself.

Again, it’s beat-for-beat. The phone calls asking victims if they like scary movies, the attempts to find the killer, the action sequences, even the pacing.
You have seen this entire movie before and, while that isn’t a huge problem because Scream felt so different, it is noticeable. Scream 2 doesn’t really try anything new, instead relying on its central whodunit mystery to elevate the otherwise recycled formula from the first film.
It really leans into its sequel status
This is a movie that is acutely aware of the fact that it is a formulaic sequel and it is going to lean into that in a big way.
The big question is, how will Craven and Williamson keep alive that smart, self-awareness that made the first movie feel so fresh? Well, the answer is by constantly dunking on the tropes and traits of horror sequels.
The characters here are completely aware that they are slap bang in the middle of a sequel. They actively discuss the tropes, they examine the possible suspects, and they try to avoid falling for the tricks killers in sequels tend to use.

It’s nowhere near as smart as the first film, but it still works on a meta level that separates Scream 2 from other copycat films like I Know What You Did Last Summer.
Luckily Williamson’s script is sharp enough to make the self-awareness feel smart rather than self-parodying. It’s almost like he managed to get every last bit of juice out of the squeeze before the formula would dry up in subsequent releases.
It’s worth noting that the excellent ensemble cast provide a massive boost to the film. This goes doubly for returning beloved characters like Dewey, Gale, and Randy. Acting is a serious strong point, throughout.
What about the kills?
Scream 2 has a much higher body count than the original. There’s very little plot armour and even returning series’ favourites are introduced to the business end of a knife, much to the chagrin of fans at the time.
“There’s a fun chase through a recording studio with some inventive use of sound-proof booths to up the scare factor”
I wouldn’t say it is bloodier, as such, but Craven has definitely attempted to make the kills a bit more inventive than simply Ghostface stabbing wildly at his victims.
Scream 2 seems to lean more heavily into protracted cat-and-mouse chase sequences, as well, and some of these work pretty damn well.

There’s a fun chase through a recording studio with some inventive use of sound-proof booths to up the scare factor and a tense scene trapped inside a police car that work very nicely. There’s also a number of fun sorority house scenes that pay homage both to old 80s horror and to the first movie.
With that being said, there aren’t really any particularly memorable kills outside of the opening two.
There are some noteworthy issues
Naturally, it is worth pointing out some of the movie’s problems, here. The most glaring of which might be returning composer Marco Beltrami’s score.
It’s quite messy and I feel as though it ages the film quite a bit. For some reason, it’s placed far too forward in the audio mix and actively drowns out character dialogue on numerous occasions. The standout moments in the score actually come from Danny Elfman who was a late addition.
I have to mention Jerry O’Connell jumping on a table in a packed cafeteria to sing the Partridge Family’s I Think I Love You to Sidney. It’s pure 90s cheese in the worst possible way and the most terrifying and painful thing in a movie featuring Ghostface gutting numerous victims.
Pacing lags a lot in the middle of the film. The dual narrative between Gale Weathers (Courteney Cox) and Sidney doesn’t always work. There’s times when it feels like needless padding and Gale’s more proactive investigation relegates Sidney to a damsel-in-distress role that she is ill suited to.
The killer reveal is probably going to be hit and miss for fans of the first film, too.

They had a massive problem with leaks and this seems to have impacted who the actual killer ends up being. It’s not particularly satisfying as far as whodunits go and it’s hard not to feel a little bit “meh” about the whole thing. To be honest, this is a bit of a tradition with the Scream films. Scream 7 is an even more egregious example of this.
All in all, Scream 2 is a very competent sequel that basically offers more of the same. If you enjoyed the first film, you will probably enjoy this one. Even if it was the start of some seriously diminishing returns for the series.
The Good
- Superb Opening Set Piece: The Jada Pinkett opening in a packed Stab screening remains an all-time great franchise prologue.
- Sharp Sequel Commentary: Kevin Williamson’s script wittily deconstructs sequel rules, raising the stakes and body count effectively.
- Unbeatable Core Chemistry: Campbell, Cox, Arquette, and Kennedy effortlessly slip back into their iconic roles with great charisma.
- Masterful Suspense Sequences: The police car escape and Gale’s sound booth pursuit show Wes Craven directing tension at his absolute peak.
The Bad
- Noticeable Redux Syndrome: Sticks closely to the original blueprint without introducing truly groundbreaking structural shifts.
- Mid-Movie Pacing Drag: At two hours, the split investigations and campus drama cause momentum to sag in the second act.
- Messy Killer Climax: Plagued by late script rewrites and leaks, the final killer reveals land with a bit of a thud.
- Overbearing Audio Mix: Marco Beltrami’s score is pushed aggressively forward in parts, occasionally smothering key dialogue.
The Ugly: The cafeteria musical serenade. Derek hopping onto a table to belt out The Partridge Family’s “I Think I Love You” is peak late-90s teen-movie cheese that brings the slasher dread grinding to an absolute halt.
Should You Watch Scream 2?
Coming less than a year after the genre-redefining original, Scream 2 had an almost impossible act to follow. While it is fundamentally a beat-for-beat campus redux burdened by behind-the-scenes production scrambles and an overstretched runtime, Wes Craven’s masterclass handling of tension and Kevin Williamson’s razor-sharp meta-dialogue keep it enjoyable almost throughout. Featuring some of the better cat-and-mouse set pieces in the franchise and a fearless willingness, for better of for worse, to butcher fan favourites, it stands alongside the best horror sequels of the 90s.
You might also like:
- Scary Stories to Tell in the Dark (2019) Review – Autumnal Horror Fun
- Else (2025) review – A bizarre french body horror experiment
- The Collingswood Story (2002) Review – The Screenlife Horror Granddaddy
- Kotoko (2011) review – A brutal descent into j-horror madness
- Fun in the Sun – 15 Best Summer Horror Movies Ranked
Our Scoring Philosophy: A Fair Fight
Horror is a genre that thrives thanks to indie film makers and low budget creators. At Knockout Horror, we firmly believe that every movie that we review deserves a fair fight. That's why we grade on a curve. Our star ratings are all about context, judging a film on what it achieves with the resources it has.
A 4-star rating for a scrappy indie horror made for $10,000 is a testament to its ingenuity and raw power. A 4-star rating for a $100 million blockbuster means it delivered on its epic promises. We don't compare them side-by-side; we celebrate success in every weight class, from the back-alley brawler to the heavyweight champion. Please keep this in mind when considering star ratings.







