Gaia (2021) Review – A Visually Stunning but Derivative Eco-Horror
Jaco Bouwer delivers a trippy and visceral exploration of nature’s vengeance in Gaia. A forest employee finds herself trapped with survivalists in this fungal nightmare.
Welcome to the heart of Knockout Horror. This is where we keep the hundreds of reviews we’ve written over the years. Let’s be honest: the horror genre is a minefield. For every Hereditary, there are a dozen low-budget disasters waiting to waste your Friday night. That’s where we come in.
We watch the good, the bad, and the absolute trash so you don’t have to. From the latest theatrical blockbusters to the obscurest oddities hiding in the depths of Tubi and Shudder, you’ll find our honest, unpretentious, and jargon-free verdicts right here. No film school lectures, just a horror fan telling you if it’s worth the popcorn.

Jaco Bouwer delivers a trippy and visceral exploration of nature’s vengeance in Gaia. A forest employee finds herself trapped with survivalists in this fungal nightmare.

Toby Meakins attempts to turn 80s gaming nostalgia into a deadly curse with Choose or Die. Despite a decent cast, the film suffers from massive plot holes and comical visuals.

Jeffrey A. Brown explores the terrors of climate change and microbial infection in The Beach House. A struggling couple faces a biological nightmare at the coast.

Kate Dolan makes an impressive feature debut with You Are Not My Mother. A teenager suspects her mother has been replaced by something sinister in this Dublin-set horror.

Kyle Edward Ball brings the nightmare logic of childhood to the big screen with Skinamarink. An experimental analogue horror that tests the viewer’s patience.

Lars Damoiseaux delivers a riotous and gore-soaked survival comedy with Yummy. A trip for discount plastic surgery turns into a fight against a zombie outbreak.

Bryan Bertino returns to the director’s chair with the relentlessly bleak The Dark and the Wicked. A pair of siblings face a demonic presence on their family farm.

D.J. Caruso directs a claustrophobic story of survival and faith in Shut In. A recovering addict must protect her children while trapped inside a pantry.

Haylar Garcia attempts to blend domestic drama with creature horror in Apartment 212 (Gnaw). Penelope Mitchell stars as a woman haunted by more than just her past.

Simon Richardson delivers a directionless and derivative mess with The Sitter. Despite a committed lead performance, the film quickly descends into cheap exploitation.

Christian Tafdrup explores the deadly consequences of extreme politeness in Speak No Evil. A Danish family’s weekend trip to the Netherlands turns into a nightmare.

Roxanne Benjamin attempts to tackle the “creepy kid” sub-genre with There’s Something Wrong with the Children. Unfortunately, a weak script and poor pacing result in a chore.