Welcome to the heart of Knockout Horror. This is where we keep the hundreds of reviews we’ve written over the years. Let’s be honest: the horror genre is a minefield. For every Hereditary, there are a dozen low-budget disasters waiting to waste your Friday night. That’s where we come in.
We watch the good, the bad, and the absolute trash so you don’t have to. From the latest theatrical blockbusters to the obscurest oddities hiding in the depths of Tubi and Shudder, you’ll find our honest, unpretentious, and jargon-free verdicts right here. No film school lectures, just a horror fan telling you if it’s worth the popcorn.
We review A24’s Heretic (2024). Hugh Grant delivers a sinister, career-best performance in this high-concept theological horror. Is it a masterclass in psychological suspense, or does a formulaic final act ruin the faith? Find out in our full review.
We review Into The Deep (2025). Scout Taylor-Compton and Richard Dreyfuss star in this low-budget shark thriller about modern-day pirates and sunken treasure. Is it a fun creature feature or just an incredibly boring trudge through shark-infested waters? Find out in our full review.
We review Drained (2025). This British vampire rom-com arrived just in time for Valentine’s Day, but does it offer a bloody good time or just a “lager lout” trudge through uninspired tropes? Find out in our full review.
We review #Manhole (2023). A Japanese thriller about a man who falls into an uncovered manhole on the night before his wedding and turns to social media for help. Is it a tense masterclass in single-location horror or just a farcical trudge through logic-defying plot holes? Find out in our full review.
Japan was, at one point, putting out some of the best horror movies the genre has ever seen. In 2025, that feels like a distant memory. But what happened? What happened to J-Horror?
We review Steven Soderbergh’s Presence (2024). Shot entirely from the perspective of a ghost, this paranormal horror starring Lucy Liu and Chris Sullivan promises a unique take on the haunted house genre. Is it a terrifying masterclass in voyeuristic dread or just an unscary, technical gimmick? Find out in our full review.
We review Osgood Perkins’ The Monkey (2025). Based on the Stephen King short story, this horror-comedy trades the brooding atmosphere of Longlegs for over-the-top gore and sarcastic wit. Is it a brilliant subversion of the genre or just too silly to be scary? Find out in our full review.
We review Shudder’s The Dead Thing (2024). Blu Hunt stars in this “erotic horror” about modern dating and dark secrets, but is it a masterclass in slow-burn suspense or just a monotonous arthouse trudge that fails to deliver the scares? Find out in our full review.
We review Bone Face (2025). A group of camp councillors are murdered by a serial killer, but the movie quickly transforms from a slasher into a single-location diner whodunit. Is it a clever subversion of the genre or just a predictable mystery that loses its edge? Find out in our full review.
We review F*** Marry Kill (2024). Lucy Hale stars as a true-crime fan hunting for a serial killer on a dating app. Is it a sharp, funny subversion of the genre like Heart Eyes, or just an outdated and predictable romantic-comedy trudge? Find out in our full review.
We review Josh Ruben’s Heart Eyes (2025). Can a romantic comedy slasher hybrid actually work, or is it just a sentimental mess? Starring Olivia Holt and Mason Gooding, this bloody Valentine’s Day flick promises a perfect balance of kills and chemistry. Find out in our full review.
We review Bystanders (2025). This indie revenge-horror passion project sees a murderous vigilante couple take on a group of vile frat boys. Is it a raw and visceral cult classic in the making, or just a slow and amateurish trudge through exploitation tropes? Find out in our full review.