Horror on Tubi

Carlos Goitia attempts to weave pre-existing horror shorts into a cohesive narrative with Nightmare Radio: The Night Stalker. Does this anthology click or clash?

Joseph Mazzaferro delivers a crowded, cliché-heavy paranormal horror with The Haunting of Julia Fields. Does this “true story” offer anything new to the genre?

Richard Mansfield takes on the “Smart Home” genre with 13 Sherwood Avenue. Does this tale of an AI communicating with the undead offer genuine chills or just glitches?

Chris Helton delivers a masterclass in poor filmmaking with Happy Birthday. From looping green screens to audible director cues, is this the year’s worst slasher?

Anthony C. Ferrante returns to the shark genre with Blind Waters. Does this Tubi/Asylum collaboration offer any bite, or is it just more low-budget driftwood?

Todd Bogin delivers a realistic look at narcissistic abuse with Hidden Exposure. Liana Liberato shines in this relationship thriller, but is it actually horror?

Delaney Mundy delivers a nauseating found footage experience with Terror Eyes. A road trip to Joshua Tree turns into a “dark web” nightmare that fails on every level.

Tim Cruz blends The Bachelor with Scream in the Tubi Original The Final Rose. Does this satirical slasher deliver the gore or just a bunch of reality TV bickering?

Taylor Chien takes a beautiful Hawaiian backdrop and fills it with horror clichés in The Resort. Does this urban exploration horror offer chills or just bad acting?

Michael Madsen and Robert Davi star in a loosely Lovecraftian Tubi Original. The Lurking Fear (2023) is a jumbled, incoherent mess of an asylum horror.

Brett Bentman delivers a shark movie with barely any sharks. Bull Shark is a slow-burn drama about alcoholism that forgets it is supposed to be a horror.

John Riggins delivers an environmentalist nightmare with Shark Huntress. An activist seeks revenge on a shark while fighting “big plastic” in this bottom-of-the-barrel horror.