Wake Wood (2009) Review – A Gritty and Visceral Irish Folk-Horror Tale
Wake Wood: Quick Verdict
The Verdict: A solid and visceral entry into the folk-horror sub-genre that effectively transplants the classic “Monkey’s Paw” narrative into the misty, rural landscapes of Ireland. Wake Wood (2009) succeeds by leaning into its grisly practical effects and a sense of community-driven pagan dread. Aidan Gillen and Eva Birthistle deliver grounded, emotionally resonant performances that make the couple’s desperate decision feel tragically relatable. While the film struggles to escape the shadow of Pet Sematary and suffers from some uninspired cinematography that fails to capture the true beauty of its Donegal setting, its commitment to a gritty, tactile aesthetic is admirable. This 3 star effort is a technical success for the revived Hammer Films, offering a dark, atmospheric, and suitably bloody exploration of the lengths parents will go to for one last goodbye.
Details: Director: David Keating | Cast: Aidan Gillen, Eva Birthistle, Timothy Spall | Runtime: 1h 30m | Release Date: 2009
Best for: Fans of Hammer Horror, folk-horror enthusiasts, and those who enjoy gritty, practical-effects-driven supernatural thrillers.
Worth noting: The film marks one of the first major productions from the revived Hammer Film Productions, aiming to bring back the studio’s signature gothic atmosphere.
Where to Watch: VOD, Amazon🛒
Rating: 3/5 Stars
(A gritty and atmospheric Irish folk-horror that successfully reinterprets a classic cautionary tale through a lens of visceral pagan rituals and parental grief.)
Welcome to Knockout Horror. Today we are taking a look at Irish and British collaboration Wake Wood (2009).
Table of Contents
Wake Wood (2009)
Wake Wood, takes us to County Donegal in Northern Ireland, and follows married couple Patrick (Aidan Gillen) and Louise (Eva Birthistle), as they try to cope with the recent death of their daughter Alice. After witnessing a man being killed in a farm accident, Patrick and Louise learn of a pagan ritual used in the town to bring people back to life. There are only a few simple rules. They cannot leave the boundaries and they can only stay for a weekend. Could this be an opportunity for Louise and Patrick to see Alice again? Or is it secretly a curse disguised as a gift.
“Wake Wood, for all intents and purposes, is a retelling of the same story as Pet Sematary. A slightly different, more Irish, wrapper on a classic cautionary tale.”
It’s hard to read all of the above without automatically thinking of Pet Sematary. The tale of the Monkey’s Paw has been around for a long time and has been adapted in many formats. Stephen King’s cautionary tale of getting what you wish for, gone wrong is extremely well known. A child is killed, a father buries the child in Pet Sematary, the child comes back to life changed and chaos ensues. Wake Wood, for all intents and purposes, is a retelling of that very same story.
Sure, some of the things here and there are different but the principle is the same. The filmmakers attempted to mix things up a little by changing the location and including a pagan style ritual. There’s also a community awareness of the process and the suggestion that, should the rules be followed, the process is safe. With that being said, this is the same basic story with a slightly different, more Irish, wrapper.
A familiar but interesting plot
I am a big fan of the “be careful what you wish for” plot line. I think it can lead to some really interesting events and allows for a character to be presented as one thing and then entirely changed. Although it has been done before, Wake Wood does a nice job with this story. I thought the ritual added an enjoyable folk-horror vibe and the idea that this has been going on in Wake Wood for years brought a community element that makes sense. Everyone gets a turn, so to speak, so the villager’s willingness to participate made sense. Playing along is very much in their interests.
The power at play here is bound to the area of the town. The resurrected person can’t leave or they will die again. That was a really good way of explaining how nobody has escaped with a resurrected loved one. The three day rule also worked really well as there was no expectation that this was permanent. It also offers an opportunity for closure at the end of the movie.
“The ritual itself is pretty gruesome and the rebirth is suitably nasty. The sight of a child emerging covered in blood and guts is a daring, slightly haunting, visual.”
Everyone involved follows the rules so that they can see their loved ones again, albeit temporarily. What didn’t make as much sense was how many people have died in Wake Wood recently. That place is apparently really dangerous. The movie is paced pretty well, too. The backstory is out of the way quick and we are onto the ritual with half an hour. Escalation is rapid and I think the ritual itself looks fantastic.
Fantastic practical effects and a few complaints
It’s worth pointing out, as well, that the practical effects are fantastic. The ritual itself is pretty gruesome and the rebirth of the resurrected person is suitably nasty. The sight of a child emerging from a cow’s carcass covered in blood and guts is a daring, slightly haunting visual. It will likely stay with you after watching. It’s worth mentioning that these scenes were, thankfully, tactfully shot. Always important when filming this type of scene involving a young person.
Wake Wood, as a movie, can be something of a mixed bag. It is placed in an idyllic setting but, despite this, the camera work is pretty substandard. Ireland is an absolutely stunning country that reminds me a lot of where I live in Wales. If you can’t create gorgeous shots with the incredible Irish scenery you are probably doing something wrong. I couldn’t help but notice that some of the shots seemed to feature the cinematographer desperately attempting to do something creative. It’s just a drab and unimaginative picture in general and very dull in parts.
“Wake Wood, while not a perfect movie, is an enjoyable horror that deserves a watch. It’s an interesting combination of The Wicker Man and Pet Sematary.”
There are, as is common with many horror movies, a few plot holes here and there. One, in particular, at the end of the movie is very glaring. The family get three days together yet they seem to waste quite a lot of it. For some of that time they are not even with their daughter. It just doesn’t make much sense. The biggest problem however, is just how derivative the film is. It has no ideas of its own and just takes elements of much better movies and mashes them together. It’s not terrible but it’s not at all innovative and a million miles from original.
The Good, The Bad & The Ugly
The Good
- Practical Effects: The ritual and “rebirth” sequences are masterfully done, offering some of the most visceral and haunting imagery in recent folk-horror.
- Timothy Spall: Delivers a nuanced and appropriately eerie performance as the town’s leader, adding a layer of weight and gravitas to the story.
- Atmospheric Setting: The rural Irish location provides a perfect backdrop for the film’s themes of isolation and ancient, pagan traditions.
The Bad
- Highly Derivative: The film follows the Pet Sematary blueprint so closely that it lacks any real sense of narrative surprise for horror veterans.
- Bland Cinematography: Despite the stunning Irish location, the camera work is often dull, drab, and fails to capitalise on the natural scenery.
- Plot Logic: Several character decisions, particularly regarding how they spend their limited time with Alice, are frustrating and don’t make sense.
The Ugly: The Rebirth. The clinical and messy depiction of a child literally being born back into the world is a wince-inducing highlight that defines the film’s gritty tone.
Should You Watch Wake Wood?
Yes. It is a 3 star film that provides a satisfying, if familiar, experience. If you enjoy the atmosphere of Hammer Horror or the specific “be careful what you wish for” tropes of folk-horror, Wake Wood is worth your time. While it doesn’t break any new ground and suffers from some uninspired visuals, the strong performances and excellent practical effects make it a respectable entry in modern Irish horror. It’s a solid, well-made nightmare for a rainy evening.
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