The Rental (2020) Movie Review - Mediocre Voyeuristic Horror
Welcome to Knockout Horror. We have covered a lot of Voyeuristic Horror Movies here on Knockout Horror. In fact, we just put together a list of 25 Stalking and Voyeuristic Horror Movies Ranked. One of the movies that came up in that list is the one we will be looking at today as I review The Rental from 2020. This movie is directed by Dave Franco with writing by Franco, Mike Demski and horror veteran Joe Swanberg.
I actually watched this movie ages ago and was supposed to review it. I ended up redoing the layout of the site, though, and kind of forgot all about it. It fits rather neatly into our Voyeurism niche, though, and I think some people will enjoy it. For me, however, it was a fairly mediocre slasher with a confused plot and an incredibly unlikable cast. Let’s take a look.
More Vacation Horror Fun
The Rental follows two couples in their thirties as they head to a vacation home for a weekend of rest and relaxation. What starts as a few days of basking in the sunshine, taking walks and drinking too much. Quickly becomes sinister as it appears someone has placed hidden cameras around the house to spy on the couples. Something which threatens to reveal secrets that could fracture the group right down the middle.
This movie is the directional debut of Dave Franco who you may remember as that really annoying character from the last season of scrubs. Or from his much better turn as Greg Sistero in his brother James Franco’s award winning movie The Disaster Artist. Dave Franco has been around the movie and television business for a long time. And it is no surprise that he has managed to secure a well known cast and a substantial budget for what is, otherwise, a rather run of the mill vacation horror.
Just a Pretty Average Horror
It is worth me pointing out that this is another group of late 30s friends hanging out and being, generally, a bit embarrassing. If your appetite for that is as weak as mine, you may want to give this a miss. With that being said, The Rental is simply a pretty average horror movie. It features an extremely unlikable cast that will leave you desperately hoping that they finish the movie with a few extra orifices. A plot that pushes a strange relationship drama to keep the story movie forward. A killer that lacks any real motivation and an ending that is both anticlimactic and rather rushed.
The relationship drama here actually seems to take centre stage ahead of everything else. In fact, when the blood starts to spill. It’s hard not to feel as though Franco only did it because he realised that he should probably move away from the interpersonal drama a bit. Given the fact that this is supposed to be a horror movie and all. Forcing him to reluctantly put together a loose and poorly fleshed out killer with limited motives.
Doesn’t Know What it Wants to Be
The Rental really does come across as being a little bit confused, a little misguided in what it wants to be. It throws in so many different plot elements and fails to ever really deliver on any of them. Themes of racism, familial tensions, troubled pasts, infidelity and voyeurism all compete chaotically with no one single element being given the deserved attention. It’s a proverbial smorgasbord of themes all fighting for a tiny opportunity to come to the forefront.
The strange thing is, it is actually most comfortable as a drama movie. Managing to build more suspense with its character liaisons and hidden secrets than it does with its under-motivated killer. The relationship drama is, actually, rather captivating. Leading to you being somewhat frustrated when the horror movie elements start to get in the way. That’s really not what you want from a movie like this.
Voyeurism Elements are an Afterthought
The voyeurism elements here are, really, a simple tool used to push the plot forward. Whereas movies like Alone With Her and 13 Cameras really go heavy into the whole spying thing. The only reason for it to exist in The Rental is to create some added tension and give our characters a reason to panic. You don’t feel as though the character’s intimacy is being invaded and the characters are, really, not likable enough for you to care. Don’t expect intriguing moments that reveal deep secrets. The cameras are only there to create more drama.
This is also the case for the slasher elements. The characters, for much of the film, really don’t feel at much risk. In fact, when things really start to ramp up. There is a distinct sense that the horror elements have been shoehorned in and completely rushed. They don’t have any time to marinade or develop. Leading to a very limited sense of tension and no scares at all. There’s a distinct “blink and you will miss it” sense to the kills. Making them feel like they came out of nowhere and leading to them being over before they really began.
Added to this are some moments of complete stupidity. Where characters act in farcical ways that defy explanation, purely to push the story forward. It’s a bit frustrating and represents an inexperienced writer who struggles with well structured plot development. Certain characters act completely inexplicably and it only makes you dislike them more. The Rental is very hard to invest in.
Acting and Direction are Fine
Acting is fine, even if the cast is utterly unlikable. Dan Stevens, as Charlie, does a decent job with his American Accent, never really slipping up and is convincing throughout. Alison Brie, as Michelle, is one of the more likable members of the cast managing to gain a few laughs here and there. That doesn’t make her character decent, though, she is incredibly annoying in parts. Sheila Vand, as Mina, is fine as is Jeremy White as Josh. It’s a strong collection of performances. As you would expect from a seriously experienced cast that, typically, probably wouldn’t star in movies like this. Franco has managed to pull in some decent talent via his Hollywood connections.
Speaking of Dave Franco, his direction is decent and he works well with cinematographer Christian Sprenger to put together a very nice looking film. Shots are set up well and he does a good job, in parts, of putting together a tense, moody, atmosphere. Continuity is fairly decent and I appreciate Franco’s tendency to linger on a shot for a significant amount of time. Making excellent use of space and tracking characters as they move rather than switching angles. He clearly understands how to get the most out of a wide lens. Something which is normally a trait of more experienced directors. He could use a little work on the pacing front, though. The Rental feels rushed and hectic at times.
Should You Watch The Rental?
The Rental is, simply, a rather average slasher movie with some shoehorned in Voyeuristic elements and a lot of relationship drama. The cast is completely and utterly unlikable making it very difficult to invest in their predicament. And the horror element feels rushed and haphazard at best. There is some decent interpersonal drama here and Franco’s competent direction, as well as the decent cast, make the movie feel far from low budget. But it just doesn’t offer much to latch onto. It’s rushed and just a bit on the average side of life. Don’t take my word on it, though. A lot of people do like this movie and find it to be an undemanding, enjoyable, watch. Give it a try and see what you think.
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Horror is a genre that thrives thanks to indie film makers and low budget creators. At Knockout Horror, we firmly believe that every movie that we review deserves a fair fight. That's why we grade on a curve. Our star ratings are all about context, judging a film on what it achieves with the resources it has.
A 4-star rating for a scrappy indie horror made for $10,000 is a testament to its ingenuity and raw power. A 4-star rating for a $100 million blockbuster means it delivered on its epic promises. We don't compare them side-by-side; we celebrate success in every weight class, from the back-alley brawler to the heavyweight champion. Please keep this in mind when considering star ratings.
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