The Innocents (2021) Review – A Brutal and Bleak Study of Childhood Power

Welcome to Knockout Horror. Today we are heading to Norway with Eskil Vogt‘s The Innocents.

Scary Kids Scaring Kids

The Innocents follows the story of Ida, a young girl played by Rakel Lenora Fløttum, and her autistic sister Anna, played by Alva Brynsmo Ramstad, as they move to a new apartment with their parents. Anna is non-communicative and seemingly responds only to certain stimuli.

“Anna is non-communicative and seemingly responds only to certain stimuli. She engages in repetitive actions and appears somewhat unaware of her surroundings, a portrayal handled with incredible realism.”

She engages in repetitive actions and appears to be somewhat unaware of her surroundings. After the sisters meet a young boy called Ben (Sam Ashraf), they begin to develop a friendship. Little realising that Ben lives a troubled homelife. 

Against a backdrop of poverty and complicated living situations. The friends grow closer, eventually realising that they share some type of supernatural abilities. What starts as harmless and mischievous play to kill the time. Quickly takes a darker turn and the emergence of a young, empathetic, girl called Aisha (Mina Yasmin Bremseth Asheim) unveils a twisted side to the children.

Chronicle With Preteens

The theme of gifted kids going rogue is pretty common in horror. Everyone remembers Chronicle, right? A group of friends develop superpowers. One of them has a terrible home life and starts vengefully tearing shit up. It’s a tale as old as time. Brightburn is another one that has tackled this plot but with a slightly different spin and it is impossible not to mention Carrie. The Innocents aims to mix things up a little by bringing the story to a European location and with a cast of preteens.

Although it is something that has most definitely been done before, The Innocents is one of the better examples. It is bleak, horribly cruel, intensely disturbing and incredibly well acted. Whereas Chronicle felt like a supervillain origin story, The Innocents feels like a realistic portrayal of the consequences of abuse and neglect on young children. Even the kind of neglect that simply comes from lack of attention.

The children have a variety of, what can only be described as, super powers that gradually become stronger. Aisha is empathetic and can hear the thoughts of the other characters, particularly Anna, and Ben can manipulate people and objects. Ida is yet to find her power. Anna, however, has what appears to be an incredible ability that only seems to come out when Aisha is used as something of a conduit.

“The Innocents feels like a realistic portrayal of the consequences of abuse and neglect on young children. The children with positive home lives are empathetic; the neglected children are cruel.”

The powers here are used, almost, as metaphors for the actions carried out by childhood victims of abuse. The children with positive home lives are empathetic and have positive powers. The neglected children have harmful powers and are cruel. It’s fascinating stuff.

Animal Lovers – An Important Warning

I feel as though it is always important to point out scenes that I think may upset certain people. The Innocents features one of the most graphic and realistic depictions of violence against an animal I have ever seen. I am happy to confirm, despite this, that no animals were harmed during the making of the movie. Still, this is one of the most brutal depictions of animal cruelty in modern horror so be warned.

If you are a cat lover, this is going to upset you, I guarantee it. I am more of a hedgehog lover than a cat lover but, above all else, I am an animal lover. This scene is both unnecessary and likely to make some people feel sick. If you are a lover of animals and are upset by seeing them hurt in movies, you should most definitely skip The Innocents. You can skip these scenes if you want to watch the movie: when you get to 23:30 skip to 26:40. Ida returns to the basement later on to find Ben has been interfering with the dead cat’s body. If you wish to skip this then when you get to 28:40 skip to 30:50.

I wish horror would get some new ideas. Updating this review in July 2024, I am still constantly adding a tag for Animal Violence to practically every horror movie I review. It is beyond worn out. I wish directors would try something else. It is extremely old and the competition to outdo each other in presentations of horrifying cruelty is nauseating.

Brutal, Bleak, and Somewhat Depressing

The Innocents seems to give a knowing nod to movies like Let The Right One In. Aside from the similar locations of an apartment tower block, the film feels, at times, hopeless and bleak in much the same way. Every character presented to the viewer has depth and seems to be somewhat troubled. The children have varying issues and the home lives of all of them are, at the very least, complicated. The thing that makes The Innocents so much more impactful with this, however, is just how realistic it is.

“It is atmospheric, gorgeously filmed, marvelously acted and really quite powerful as a form of anti-entertainment. Just go in with your expectations set for a bleak experience.”

The Innocents does not beat around the bush at all. It presents the result of abuse with frightening realism and feels incredibly apt for a time when school shootings and violence between children is becoming the norm. There is a bleakness to the film that stays throughout and peaks in one particularly crushing moment later on. For the most part, there is very little to smile about here and the movie should be commended for its commitment to giving us a realistic story, despite the supernatural elements.

Incredible Acting and Cinematography

The child cast of The Innocents are absolutely incredible. To think these actors are playing nuanced character with significant complexity and depth while being so young is incredibly impressive. Rakel Lenora Fløttum as Ida and Sam Ashraf as Ben are both fantastic. They both present their characters with believability and the range of emotions they display is very impressive. Mina Asheim as Aisha is simply brilliant. Rarely do you see such an honestly likeable character in a horror movie.

It is, however, Alva Ramstad as Anna that deserves special mention. Never in a movie have I seen such a convincing and accurate portrayal of a non-communicative neuro-divergent person. I have a close relative with autism and have visited autistic schools frequently. Alva’s portrayal of low functioning autism was both incredibly accurate and very sympathetic. I hope she enjoys an incredible career because, if this performance is any indication, she has buckets of talent.

Cinematography is beautiful. The environment is gloomy and a bit depressing but that only adds to the mood of the movie. There is a dreamy haze to many scenes and some of the shots are really inspired. I particularly enjoyed some of the later scenes that showed us what some of the characters see when exposed to a certain character’s psychic powers. These scenes are genuinely scary though I believe they could have been expanded on a bit more.

Our Scoring Philosophy: A Fair Fight

Horror is a genre that thrives thanks to indie film makers and low budget creators. At Knockout Horror, we firmly believe that every movie that we review deserves a fair fight. That's why we grade on a curve. Our star ratings are all about context, judging a film on what it achieves with the resources it has.

A 4-star rating for a scrappy indie horror made for $10,000 is a testament to its ingenuity and raw power. A 4-star rating for a $100 million blockbuster means it delivered on its epic promises. We don't compare them side-by-side; we celebrate success in every weight class, from the back-alley brawler to the heavyweight champion. Please keep this in mind when considering star ratings.