Home Movie (2008) Movie Review - Fairly Watchable Domestic Horror

It’s a new week and a new entry into our Fall Themed Horror series. Today we are taking a look at Christopher Denham’s found footage chiller “Home Movie” from 2008. Home Movie is the story of a couple trying to deal with their seriously messed up kids. Exhibiting increasingly bizarre behaviour. It quickly becomes obvious that something is not right with the troublesome twins. Filmed in a found footage style, Home Movie has received some pretty mixed reviews over the years. What do we think? Let’s find out.

So, I am attempting to subvert expectation a little when it comes to this fall feature. This means I am having to be pretty broad with my criteria. Finding movies that are set entirely in autumn is difficult. I am wanting to avoid putting out the same old shit. You know, the stuff we have already seen in lists a million times. Clearly, there is going to be some cross over. Creating an exclusive list in this modern age of the internet is impossible. Home Movie kicks off around Halloween and spends at least the first third of the film in autumn. I think it counts.

Found Footage Psychological Horror

Home Movie is part of the Found Footage horror wave of the 2000s. It also represents the directorial debut of actor Christopher Denham. The genre was undeniably huge for awhile there and, to be honest, is still going strong today. Plenty of people hate the shaky cam laden, low budget nature of these movies. Others really enjoy it. Despite the criticism, the genre is incredibly accessible for both fans and movie makers alike. The DIY nature means that any director can try their hand with minimal monetary input. We recently reviewed The Collingswood Story. Check it out for a perfect example of how DIY these movies can be.

Focusing on the lives of one small family, Home Movie is a simple concept. David (Adrian Pasdar), the patriarch of the family, does most of the filming. Clare (Cady McClain), the mother, takes more of a back seat. She does occasionally uses the camera for her psychology work, however. We see most events through the perspective of the parents. Exposition comes by way of conversations and Clare’s psychological analysis of her children. The story starts in a pretty mundane manner but develops quickly. Things start going wrong almost straight away and escalate rapidly.

Denham attempts to build layer upon layer of tension and atmosphere. Not what you would call jump scare horror. We do have a few moments here that may provoke something of an animated reaction from the viewer. The film, despite this, relies on the slow unravelling of the mystery to unsettle. David is a positive guy and is reluctant to believe there is something wrong. Clare is more analytical and wants to approach the situation in a clinical manner. The conflicting responses cause clashes between the two making for some interesting twists.

Scary Kids Scaring Adults

Horror movies have been tapping into the scariness of children for a long time. Films like Children of the Corn, The Omen and Cheaper by the Dozen have been made as cautionary tales that kids can be horrible little bastards that will ruin your life. I am sure some people have positive experiences with raising families. I find it hard to believe but it has to be true, right? These movies make it obvious, however, that it is best to exercise caution. I was a little shit when I was a kid. My late younger brother was even worse. He woke me up from a deep sleep once by farting into a bottle and placing it under my nose. It was at that moment, as unbridled joy lit up his face, that I realised one undeniable fact. Kids can be truly evil.

With this in mind, Home Movie has the perfect antagonists. Two horrible little arseholes. They barely speak, they have invented their own language and they hate animals. The fact that David and Clare are forced to protect the little buggers only adds to their dilemma. Emily and Jake are horribly cruel and, frankly, a bit weird. Their defiance of their parents escalates and the tension grows. The pair are, legitimately, quite creepy.

Young, Impulsive, and Well Equipped

Jack and Emily are incredibly well suited to their specific type of mayhem. Apparently completely lacking any conscience. The pair seem to care only about each other. The fact that the children are, supposedly, twins reinforces this silent bond. Their seeming lack of any kind of motive makes them all the more sinister. Hell, the devilish duo even have a little base of operations in the woods.

The twins are looking to cause mayhem and pain. The reasons for this are never very apparent. They are well equipped in their pursuit of evil, as well. Their idiot of a dad, in a seeming lack of foresight, has taught them how to pick locks. He also teaches them how to tie knots…. Knots that you cannot escape from! I will hasten to add that this is after the kids have shown troubling signs. Indeed, we are to believe that these signs have been appearing for some time. Even prior to the events of the movie. The children’s parents believed a change of scenery would help rid them of the issue. Something which turns out to be completely false.

Ignoring the problems doesn’t help and Claire and David have to face up to facts. Like the parents of Ezra Miller, they have to admit that they have created something truly evil. Clare believes she can fix the problems with medication. David thinks the family needs God. The reality is that they need a very deep hole in the ground to throw the kids into. With all that being said. Having two young children as antagonists is a great move. It lays the groundwork for some interesting scares and also offers a little extra depth.

Fairly Tense but Incredibly Messy

Home Movie manages to build up some nice tension and atmosphere. Not lingering on early scene setting, things start to go wrong pretty quickly. You never really know what the kids will do next. Clare and David don’t feel particularly vulnerable. The parents aren’t the main victims, though. The twins would prefer to pick on things that can’t defend themselves. Animals, fellow students, each other; everything is fair game. The actions of the kids continues to escalate. They become more and more cruel as their crimes become more severe. This constant one upping of the previous events works to keep the viewer guessing.

The fact that the movie drops the ball in so many areas is quite a shame. There are tremendous plot holes throughout. There is one particularly glaring example of this. Clare is a psychologist. She begins to treat her children like patients. She diagnoses them and prescribes medication. This is beyond silly. For one, psychologists can’t prescribe drugs. That is the job of psychiatrists. For two, a doctor cannot diagnose and treat her own children. That is an enormous conflict of interests. This is only one example of the sloppy writing that is the main factor holding Home Movie back.

With all this considered, the ridiculous ending seems even more of a problem. Avoiding spoilers, some of the events that take place to set up the ending make no sense at all. It is farcical, laughable, and rather pathetic on the part of the director. Towards the end, I felt a massive desire to place my face in my palm and leave it there until the credits rolled. It is very disappointing.

An Annoying Character

David, played by Adrian Pasdar, for me, makes this movie a bit of a chore. He is horribly annoying. I am not sure whether this was scripted but David is insanely overbearing. He attempts to steal every scene and fails miserably.

We are forced to listen to him putting on terrible accents as he attempts to entertain the kids. The guy narrates himself punishing his child. He dances like a prick while wearing a Santa costume. Oh and let’s not forget him running around in a pink bunny suit throwing eggs. Looking like a twisted version of Ralphie from Christmas Story. David also takes cheese into the bathroom while his wife is showering and drinks Jack Daniels neat. He is just awful, in general. At least grab a decent bourbon.

By about 30 minutes in to the movie, I understood why the kids were so messed up. Imagine living with this guy! The poor bastards seem almost rational when viewed in the context of being raised by this dude. The strange thing is, Pasdar can actually act. He has had a prolific career in Hollywood. The character is much better when expressing sadness and fear later in the movie. For much of the film, however, I found David unbearable. I can imagine some people absolutely loving the silliness of his performance. It was not for me, though, and bugged me both times I watched. Other characters are generally fine and well acted. The kids don’t really have to do much and rarely speak. They are suitable creepy, however.

Still Fairly Watchable

Despite all its flaws, this is still a fairly watchable movie. It toddles along at a nice pace and doesn’t wear out its welcome at only 77 minutes. The kids are creepy and it is easy to buy into the story. You will likely want to know what will happen next and what is causing the bizarre behaviour. Camera work is fine, it is rarely too shaky or intrusive. We have different characters in control of the camera at different times. This helps keeps things interesting.

There is always a bit of an expectation with found footage that standards will be lower. Fans are more likely to accept flaws. The DIY nature of production means there is greater room for errors. Home Movie has a lot of them but it is still quite fun. The unusual antagonists feel a bit different from standard horror fare. The contrasting attitudes and reactions of the parents make for an intriguing set up. Just don’t go in expecting a perfect movie. It is watchable. Some may love it, others will hate it. It is short enough that you can take a chance. Oh, and it can be found on Youtube for free. Win win!

Our Scoring Philosophy: A Fair Fight

Horror is a genre that thrives thanks to indie film makers and low budget creators. At Knockout Horror, we firmly believe that every movie that we review deserves a fair fight. That's why we grade on a curve. Our star ratings are all about context, judging a film on what it achieves with the resources it has.

A 4-star rating for a scrappy indie horror made for $10,000 is a testament to its ingenuity and raw power. A 4-star rating for a $100 million blockbuster means it delivered on its epic promises. We don't compare them side-by-side; we celebrate success in every weight class, from the back-alley brawler to the heavyweight champion. Please keep this in mind when considering star ratings.

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