Abigail (2024) Review – A Bloody And Brilliant Reinvigoration Of Vampire Horror

Welcome to Knockout Horror. Today we are checking out the fun vampire-themed horror comedy Abigail from filmmaking duo Matt Bettinelli-Olpin and Tyler Gillett, also known as Radio Silence.

Bringing new blood to vampire horror

Abigail follows a group of hired mercenaries who break into the home of a supposedly mega-rich man to kidnap his daughter. The group succeeds and takes the girl back to a mansion in the middle of nowhere. Tasked with holding on to her for 24 hours while the mastermind of the plan awaits a ransom payment, it isn’t long before the mercenaries begin to realise that who they are taking care of is no ordinary little girl.

Let’s be real, vampire horror is pretty stale and has been for a while. The theme tends to go through a few different changes every decade or so. Everyone gets a bit excited about it and a bunch of copy-and-paste movies appear. It happened with the Blade series and Underworld. Then it happened with Twilight and its copycats. It happened with Let the Right One In and imitators like The Transfiguration. And I have a feeling that Abigail is going to set things off again.

“Abigail takes everything that worked so well about last year’s M3gan and weaves it intricately into an action-packed bloodbath.”

Abigail genuinely brings a completely new take to a fairly worn out type of horror movie. Eschewing much of the seriousness that comes with vampire-themed horror movies, Abigail takes everything that worked so well about last year’s M3gan and weaves it intricately into an action-packed bloodbath of a horror movie. This is, quite simply, an absolute mountain of fun.

Well balanced action and comedy

Everything in Abigail is done with tongue-in-cheek. There is a significant amount of comedy but nothing too overt. Just enough to keep you chuckling but never enough to take you out of the action. Despite the rather clichéd premise, there’s a lot going on. From characters sneaking around dimly lit hallways, to vicious double-crossings, to unsuspecting victims falling into pools of blood. The movie does take a while to get there, though.

For the first 40 minutes or so, the group meander around the spooky house exploring rooms, having minor clashes with each other and establishing plot. It isn’t until the halfway point that it really starts to sink its teeth into the action. Having a group of people well versed in combat and mayhem makes for a far more interesting setup than just your average person off the street. Action scenes are well choreographed and a hell of a lot of fun, with plenty of people sure to appreciate the inclusion of ballet into the sequences.

“There is a ton of gore here. Absolute buckets of the stuff and it’s the thick, visceral kind that you know the actors had to shower for two hours to remove.”

There is a ton of gore, here. More so than even Ready or Not. Absolute buckets of the stuff and it’s the thick, visceral, kind that you know the actors had to shower for 2 hours to remove. We are subjected to satisfying character explosions resulting in chunks of flesh peppering the entire set. It’s a lot of fun in almost a satisfying video-game-like manner.

Still true to classic horror

Despite the heavy action focus and distinct comedy leanings, Abigail still stays true to a lot of classic horror. With visuals and sets that are sure to inspire nostalgia in old-school horror fans, the movie looks gorgeous with Matt Bettinelli-Olpin and Tyler Gillett having developed a serious talent for making excellent-looking horror movies.

Scenes are beautifully lit with a nod to the old-fashioned, Hammer-style, orange hue of the 70s. Set designs are a mix of spooky, grandiose and decrepit with an almost Resident Evil 1 style range of locations and rooms. And the score is subtle yet effective, never really getting in the way of the movie. I feel as though Abigail manages to strike the same sort of balance between the old and new as Fright Night did back in the day. 

Everything is done with a distinct appreciation of the past, while also managing to add some new twists that keep things fresh. Sure, not all of this is going to hit with all viewers. Anyone who was frustrated by the TikTok-style silliness of some of M3gan‘s more well-known scenes will likely find themselves equally as frustrated by moments in Abigail that feel like pandering to the always-online crowd. 

It can get a bit much and I think certain viewers who are on the other side of 30 will probably find themselves cringing a bit here and there. People who dislike tongue-in-cheek horror will likely feel a bit short-changed and those who dislike action will probably find little to like. But, for the most part, it’s all a lot of fun.

A stellar cast

Melissa Barrera, who you may know from a movie we reviewed called Bed Rest, does a great job here. She plays a fitting “main girl” with a tumultuous past and does well in the action scenes. Dan Stevens is on top form as the sleazy Frank though I am definitely not buying his hokey Queens accent.

“It’s the performance of Alisha Weir as the titular character that steals the show. She is the unquestioned star and a future megastar for sure.”

It’s great to see Paranormal Activity 4‘s Kathryn Newton again. She is a lot of fun here as hacker Sammy in her second horror performance of the year along with Lisa Frankenstein. And additional roles from great actors like Kevin Durand and the late Angus Cloud add plenty to the movie.

Let’s be real, though. It’s the performance of the Irish actor Alisha Weir as the movie’s titular character that steals the show. She is fantastic throughout, putting on a quality performance with some serious depth, effortlessly switching between childlike helplessness and forked-tongued badass with ease. Special credit goes to her for incorporating so much ballet into her performance as well. She is the unquestioned star of the show and a future megastar for sure.

Our Scoring Philosophy: A Fair Fight

Horror is a genre that thrives thanks to indie film makers and low budget creators. At Knockout Horror, we firmly believe that every movie that we review deserves a fair fight. That's why we grade on a curve. Our star ratings are all about context, judging a film on what it achieves with the resources it has.

A 4-star rating for a scrappy indie horror made for $10,000 is a testament to its ingenuity and raw power. A 4-star rating for a $100 million blockbuster means it delivered on its epic promises. We don't compare them side-by-side; we celebrate success in every weight class, from the back-alley brawler to the heavyweight champion. Please keep this in mind when considering star ratings.

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