Noroi: The Curse (2005) Review – A Masterclass in Found Footage J-Horror
Kōji Shiraishi delivers a masterclass in atmospheric dread with Noroi: The Curse. A complex, hyper-realistic found footage film that weaves folklore into a nightmare.
Welcome to the heart of Knockout Horror. This is where we keep the hundreds of reviews we’ve written over the years. Let’s be honest: the horror genre is a minefield. For every Hereditary, there are a dozen low-budget disasters waiting to waste your Friday night. That’s where we come in.
We watch the good, the bad, and the absolute trash so you don’t have to. From the latest theatrical blockbusters to the obscurest oddities hiding in the depths of Tubi and Shudder, you’ll find our honest, unpretentious, and jargon-free verdicts right here. No film school lectures, just a horror fan telling you if it’s worth the popcorn.

Kōji Shiraishi delivers a masterclass in atmospheric dread with Noroi: The Curse. A complex, hyper-realistic found footage film that weaves folklore into a nightmare.

Bernard Rose’s Candyman is much more than a slasher. It is a haunting, socially conscious gothic nightmare that uses the projects of Chicago to explore racial trauma.

Ti West’s The House of the Devil is a masterclass in retro aesthetics. A slow-burn 80s throwback that prioritises grainy 16mm atmosphere over narrative speed.

Paranormal Activity is a landmark of indie horror. A simple, effective, and visceral found footage hit that proved you don’t need a big budget to terrify the world.

Mary Lambert brings Stephen King’s darkest novel to life with Pet Sematary. A gritty, emotional, and visceral 80s classic that explores the terrifying price of grief.

Jon Stevenson’s Rent-a-Pal is a unique and unsettling character study. A retro-themed thriller that explores the dark side of loneliness and the price of friendship.

The Block Island Sound is an atmospheric but muddled blend of sci-fi and family drama. A slow-burn mystery that ultimately feels a little too grey and messy.

William McGregor’s Gwen is a visual triumph. A bleak, atmospheric, and beautifully acted period drama that skirts the edges of folk-horror in North Wales.

The Swarm is a slow-burn French drama that skirts the edges of body horror. A unique premise about locust farming that struggles with pacing and plot holes.

Matthew Butler-Hart’s The Isle is a visual treat that sinks under the weight of terrible acting and a turgid script. A period mystery that fails as a horror movie.

Natalie Erika James’ Relic is a masterclass in atmosphere but a questionable horror film. A slow-burn drama that uses a haunted house as a metaphor for dementia.

Don’t go into Saint Maud expecting a traditional horror movie. This is something else entirely: a sad, harrowing, and utterly compelling psychological study of a young nurse’s descent into madness. A stunning directorial debut that’s more interested in disturbing you than scaring you. Click to read our full, spoiler-free thoughts.