They Look Like People (2015) Review – A Masterclass In Indie Psychological Horror
Perry Blackshear delivers a haunting and sympathetic portrayal of mental illness in They Look Like People. Two friends reconnect as one suspects a monstrous invasion.
Welcome to the heart of Knockout Horror. This is where we keep the hundreds of reviews we’ve written over the years. Let’s be honest: the horror genre is a minefield. For every Hereditary, there are a dozen low-budget disasters waiting to waste your Friday night. That’s where we come in.
We watch the good, the bad, and the absolute trash so you don’t have to. From the latest theatrical blockbusters to the obscurest oddities hiding in the depths of Tubi and Shudder, you’ll find our honest, unpretentious, and jargon-free verdicts right here. No film school lectures, just a horror fan telling you if it’s worth the popcorn.

Perry Blackshear delivers a haunting and sympathetic portrayal of mental illness in They Look Like People. Two friends reconnect as one suspects a monstrous invasion.

Sam Raimi and Bruce Campbell reunite for Evil Dead 2, the ultimate “re-quel.” Buckets of blood meet slapstick comedy in this pulse-racing horror thrill ride.

Lucky McKee delivers a quirky, grungy masterpiece with May. Angela Bettis stars as a lonely outsider who takes the idea of “making a friend” to a literal extreme.

Richard Bates Jr. delivers a stylishly depraved character study with Excision. A troubled teen goes to surgical extremes to win her mother’s approval.

Bruce McDonald delivers a brilliant “chamber piece” horror with Pontypool. A radio shock jock discovers that language itself has become a deadly weapon.

Justin Benson and Aaron Moorhead deliver a daring, genre-bending debut with Resolution. Two friends find themselves trapped in a story they didn’t write.

It reunites Halloween 4 director Dwight Little with Danielle Harris and throws Robert Englund into the mix for good measure. On paper, Natty Knocks sounds like a slasher fan’s dream come true. But does this 2023 throwback actually deliver the scares, or is it just another generic entry relying on star power to hide a weak script? Let’s take a look.

Monika Mitchell delivers a classic “TV movie” style thriller with Deadly Midwife. While the plot is projected from a mile away, its considered take on gaslighting offers some unexpected depth.

D.W. Medoff tackles workplace assault and misogyny through a supernatural lens in Pollen. Does this metaphorical creature feature offer anything new to the genre?

Carlos Goitia attempts to weave pre-existing horror shorts into a cohesive narrative with Nightmare Radio: The Night Stalker. Does this anthology click or clash?

Joseph Mazzaferro delivers a crowded, cliché-heavy paranormal horror with The Haunting of Julia Fields. Does this “true story” offer anything new to the genre?

Richard Mansfield takes on the “Smart Home” genre with 13 Sherwood Avenue. Does this tale of an AI communicating with the undead offer genuine chills or just glitches?