We review Please Don’t Feed The Children (2025). Destry Allyn Spielberg directs this Tubi horror starring Giancarlo Esposito and Michelle Dockery. Does it live up to the family name, or is it just another nepotism misfire? Find out in our full review.
In this article we are reviewing the 2024 found footage influencer horror movie #MissingCouple. Does it stand out or is it more of the same?
We review Final Destination: Bloodlines (2025). Death returns in this highly anticipated sequel featuring Tony Todd’s final performance. Does it breathe new life into the franchise, or is it dead on arrival? Find out in our full review.
Today we are checking out a very middle of the road supernatural horror with Ashley Greene in the form of Chad Archibald’s It Feeds.
We review Dark Match (2024). Wrestling legend Chris Jericho stars as a cult leader in this satanic B-movie horror. Is it a championship contender, or should it tap out immediately? Find out in our full review.
We review The Parenting (2025). Brian Cox and Lisa Kudrow star in this horror comedy about meeting the in-laws in a haunted house. Is it a hilarious romp, or a painfully unfunny SNL sketch stretched thin? Find out in our full review.
“A camping trip to reconnect old friends turns toxic in this predictable thriller from director Jessica Kozak. The Wild (aka Wilder Than Her) attempts to explore the darker side of female friendship but gets bogged down by unlikable characters and a ludicrous script. Is it worth a stream, or should you leave it in the woods? Let’s take a look.”
We review Opus (2025). John Malkovich stars as a fading 90s pop icon in this psychological horror-thriller. Is it a masterpiece of eccentricity, or a woefully slow exercise in style over substance? Find out in our full review.
We review 825 Forest Road (2025). Hell House LLC director Stephen Cognetti returns with a non-linear haunted house mystery. Is this non-traditional structure enough to save a generic plot, or is it just a boring trudge? Find out in our full review.
We are off to a care home for today’s review as John Lithgow terrorises his fellow residents with a hand puppet in The Rule of Jenny Pen.
We review Shin’ya Tsukamoto’s Kotoko (2011). Singer Cocco delivers an uncompromising performance in this harrowing Japanese horror character study of a mother’s mental decline. Is it a masterpiece of experimental cinema or simply too disturbing to endure? Find out in our full review.
We review Borderline (2025). Samara Weaving and Ray Nicholson star in this quirky home-invasion horror comedy. Is it a hidden gem of indie cinema, or an unfunny, messy chore of a movie? Find out in our full review.