Evie (2023) Review – A Dreary And Disappointing British Horror

Welcome to Knockout Horror and to our review of Evie from 2023. This one is doing the rounds on Prime Video at the moment but I believe it first hit the circuit back in 2021. It follows the story of a young girl who finds a necklace washed up on a beach. Unwittingly wearing it and unleashing an evil that tears her world, and her family, apart.

The trouble with British horror

Evie is directed and written by the team of Jamie Lundy and Dominic Brunt. The latter of which played the vet Paddy in the Yorkshire-based, evening staple, soap opera Emmerdale. That won’t mean a thing to readers outside of Britain but I thought it deserved a mention. I had no clue he was directing horror movies but here we are. Incidentally, all of his films appear to be very poorly received so maybe he should go back to acting.

“British horror movies can be a little difficult to review. They are rarely overtly awful, but aesthetically they often look better than they are.”

British horror movies can be a little difficult to review. Despite being Welsh myself and despite some of the highest-rated movies on this site being British, I am never overly excited when I see that trademark washed-out filming style set against a backdrop of muddy skies and dreary weather. British horror just doesn’t really do it for me.

Give me something European, Australian or Asian over the UK any day. With that being said, there is a certain degree of production quality that goes into the majority of British horror movies. They tend to feature a competent cast, an interesting, artsy, filming style and no small amount of attention to detail. This makes even the most boring and dull of British horror movies look, at least aesthetically, better than they are. They are rarely overtly awful and that is where today’s movie Evie comes in. 

Evie looks nice. The cinematography draws you in immediately. An ominous soundtrack plays competent backup to the visuals and everything seems rather well put together. Sure the story is slow moving and a little over familiar. But it’s looking pretty good, so far. As we make our way to the second third of the movie, however, things start to fall apart. The story takes a massive leap into the future and things suddenly seem far less interesting.

A whole lot of nothing

The next two thirds of the movie flit back and forth between the current time, flashbacks to Evie’s childhood and flashbacks to the recent past. We see that adult Evie is a complete mess of a person and we don’t really know why. The remaining run time is devoted, almost entirely, to slowly extrapolating on what made her like this.

“The story takes the scenic route to get back around to what was completely predictable all along. This is one of those horror movies that is simply unsatisfying.”

The story takes the scenic route to get back around to what was, nothing short of, completely predictable all along. Nothing particularly interesting happens, characters are paddling pool shallow and the ending is as chaotic as it is ridiculous. This is one of those horror movies that is simply unsatisfying.

You can see where the story is going yet you are still disappointed when it goes there. It’s all the more frustrating when the movie thumbs its nose at you. Gleefully relishing in the plot “revelations” as if you hadn’t already guessed what was going to happen 40 minutes ago. Throw in a whole bunch of neglected storytelling when it comes to the main theme of the movie and you have an utterly disappointing horror.

A few good points

As mentioned above, this is a British horror so the artsy, gritty, veneer of well made indie horror is present and accounted for. The movie looks fantastic. Shots are well set up and Edward Ames‘s cinematography does a lot of heavy lifting. Sound production is decent and the soundtrack is very fitting.

“Acting is fantastic. Holli Dempsey does a brilliant job as adult Evie and turns in a very realistic and authentic performance.”

Acting is fantastic. Holli Dempsey does a brilliant job as adult Evie and turns in a very realistic and authentic performance. Jay Taylor is equally effective in a slightly more restrained role. It is just really well done by the cast, much like a lot of UK horror. Scripting is fine and feels very natural, for the most part, with only the latter stages of the movie falling foul of horror cliché.

Pacing and direction, however, is very messy with the later revelations feeling particularly ham-fisted and rushed. I would have liked to have seen more of the child Evie to learn more about her character, rather than simply presenting us with a young girl that was simply good before becoming a pain in the arse.

Our Scoring Philosophy: A Fair Fight

Horror is a genre that thrives thanks to indie film makers and low budget creators. At Knockout Horror, we firmly believe that every movie that we review deserves a fair fight. That's why we grade on a curve. Our star ratings are all about context, judging a film on what it achieves with the resources it has.

A 4-star rating for a scrappy indie horror made for $10,000 is a testament to its ingenuity and raw power. A 4-star rating for a $100 million blockbuster means it delivered on its epic promises. We don't compare them side-by-side; we celebrate success in every weight class, from the back-alley brawler to the heavyweight champion. Please keep this in mind when considering star ratings.