Dead Hot: Season of the Witch (2023) Review – A Cringe-Inducing Vanity Project
Dead Hot: Quick Verdict
The Verdict: An excruciatingly self-indulgent vanity project that masks a lack of substance with histrionic overreactions and pseudo-spiritual babble. Dead Hot: Season of the Witch is not a horror movie, nor is it a particularly competent documentary. Instead, it is a misguided exploration of “identity” featuring two wealthy celebrities acting like teenagers in the middle of a spiritual mid-life crisis. While Vanessa Hudgens remains a naturally charismatic screen presence, she is frequently overshadowed by GG Magree’s exhausting attempts to hog the limelight. The “investigations” are hokey, the expert consultations feel staged, and the attempt to frame their vacation as a profound coming-of-age story is nothing short of laughable. It is a 1.2 star experience that will likely alienate paranormal enthusiasts and bore horror fans to tears. Unless you are a die-hard Hudgens completist with a high tolerance for manufactured drama, this is one spiritual journey you should definitely skip.
Details: Director: Julie Fonteyne | Cast: Vanessa Hudgens, GG Magree | Runtime: 1h 31m | Release Date: 14 April 2023
Best for: People who enjoy celebrity vlogs and those who find unintentional comedy in the “spiritual awakening” tropes of the rich and famous.
Worth noting: The film was produced during the fallout of the 2020 lockdowns, reflecting a broader trend of “witchcraft” and “manifesting” becoming mainstream celebrity hobbies.
Where to Watch: Amazon🛒, Tubi (Free)
Rating: 1.2/5 Stars
(Total lack of horror, histrionic performances, and a deeply pretentious script.)
Welcome to Knockout Horror. Today we are reviewing Dead Hot: Season of the Witch from 2023.
Table of Contents
This isn’t even a horror movie!
Dead Hot: Season of the Witch is not horror, not in the slightest. I have to make that clear because Tubi sure as hell didn’t. Slapping this in the horror section is akin to calling Grave Encounters a factual documentary. Dead Hot is about as far away from horror as you can possibly get. As the movie goes on, it seems to get further and further away.
“Dead Hot is about as far away from horror as you can possibly get. Slapping this in the horror section is akin to calling Grave Encounters a factual documentary.”
This movie can best be described as a Vanessa Hudgens vanity project, and I say this as someone who thinks Hudgens is insanely talented. Dead Hot is advertised as an exploration into witchcraft, the paranormal and all things supernatural. Dead Hot is actually a trip into the minds of two people that seem a little lost and could probably use some counselling.
Much of what happens here is presented as fact. Despite, clearly, being the work of manipulating third parties and an over-enthusiastic pair of mates looking for answers. Hudgens, and her friend, GG Magree, spend nearly two hours overreacting to non-events and finding meaning in the meaningless. This entire movie is like a drunken conversation that you think is really insightful, only to wake up the next day realising how much of a twat you made of yourself.
A little backstory
This movie comes about, strangely, as a result of the 2020 worldwide crisis. When most celebrities were singing Imagine on Zoom and telling us to stay indoors while chilling in their cavernous mansions, Vanessa Hudgens was hitting up Google and searching the terms “I am a witch!!1!”, “Am I witch?” and “Is witches real?”. Apparently fostering a new-found interest in everything supernatural.
She hosted witchy zoom calls (because even the supernatural has to get with the times), she learned spells, and she thoroughly bought into the medium. She then began conceiving one of the worst pieces of media I have ever watched – Dead Hot!
Describing herself as a self-taught student of witchcraft, Hudgens teams up with her bestie, musician GG Magree, and heads over to Salem to see whether she can make the tragic and horrific witch trials into something about herself. Sounds harsh but that is really what this movie is about.
“This entire movie is like a drunken conversation that you think is really insightful, only to wake up the next day realising how much of a twat you made of yourself.”
Brushing off the hokey nature of typical paranormal investigations and aiming for something altogether more mature and considered, what starts as a somewhat interesting look into the atrocities faced by women during the trials quickly devolves into hokey paranormal investigations centred around two people who both eagerly want the spotlight.
It’s probably gonna piss some people off
The majority of Dead Hot features Hudgens and Magree conducting paranormal investigations in, supposedly, haunted locations in Salem. These segments are then woven together with scenes of the ladies discussing the events, as well as scenes where the pair meet up with incredibly cooky paranormal “experts”. These “experts” cold-read the pair and, essentially, promote their pseudo-skills as fact while conducting strange ceremonies.
There’s a very dismissive attitude to the paranormal here which may upset some of the people who take this subject extremely seriously. The investigations are no less hokey than any other paranormal investigations you have ever seen. The only real difference is the incredibly histrionic reactions of the two women, particularly Magree who seems a little wired.
A coming-of-age story? What the hell?
I’m not sure how many drugs were involved in the production of this documentary but I am gonna guess the answer is somewhere between “many” and “a lot”. B-roll of the women wandering from location to location plays against a soundtrack of awful electronic pop music, all while Hudgens seems to grow less and less interested in what is going on.
The truth of the matter is that Dead Hot is not really about the paranormal or witches. Dead Hot is about Vanessa Hudgens and GG Magree finding themselves. Dead Hot: Season of the Witch is described as: “an intimate journey into the supernatural realm that serves as a coming-of-age story that explores identity”.
“Ladies, you have already come of age. Your body is already dying. Let’s not use ‘identity’ as an excuse to make light of the Salem witch trials.”
I am really confused. Do they mean a “coming-of-middle-age” story? This is two women who are approaching 35. Ladies, you have already come of age, it’s done, your body is already dying. I’m there too, it sucks but youth is tremendously fleeting. Let’s not use it as an excuse to make light of the Salem witch trials.
The coming-of-age thing sort of makes me laugh because these two act like they are 17. Hudgens and Magree come across incredibly immature for the majority of this documentary.. My fiancée kept remarking on why they repeatedly talk in a child-like manner. I really couldn’t give her a solid answer. I just don’t think these two people have moved past their teens. It makes for awkward and frustrating viewing.
Even Hudgens fans might be disappointed
Now let’s be real for a minute. Whether you like her or not, Vanessa Hudgens is a versatile and talented performer. She can sing, she can act, she can dance, she’s gorgeous. She probably hasn’t been afforded the opportunities she deserves. Be it because of the nefarious hacking incident over a decade ago or due to her position as a child actor. The majority of people who tune into this movie will, likely, be doing it because they are a fan of hers.
If you fall into that category, you may be disappointed. You are going to have to put up with Magree’s constant hogging of the limelight. Magree, unfortunately, does not play sidekick well. She has a tendency to draw attention to herself. Whether by being obnoxiously loud, forcing emotional reactions to the events, or simply pushing her way into focus.
This, inadvertently, pushes Hudgens into the background, something that is somewhat frustrating as Hudgens can be rather thoughtful and plays events off with more scepticism. If this movie focused purely on Hudgens, I think we might have been onto something. The two of them together, however, bring out the worst in each other. Hudgens gets very bored after a while, too.
Any positive points?
I suppose some people might find Dead Hot funny in parts. The humour is very much that of two women acting like they are teenagers and having a laugh. But if that is your trip then you will enjoy some of the pair’s interactions. If you are a fan of Magree’s music then good for you, the movie is littered with it. Hudgens fans may enjoy seeing a more intimate side of her character as well as hearing some of her insight into things, even if it does fall very much into the “Woe is me”, self-pitying celebrity category that we are all so familiar with.
The themes of sisterhood and female togetherness are a definite positive. Don’t get me wrong, I think the whole witchcraft thing is used to gloss over some deeper personal issues. But it is good to see women promoting togetherness. Female-specific issues are being increasingly ignored, pushed aside to wave a flag that is far more trendy at the moment. Women and girls absolutely need to see positive representations of female togetherness and these two women seem to be a good example of that. It’s really nice to see.
The Good, The Bad & The Ugly
The Good
- Vanessa Hudgens: Even in a project this shallow, her natural charisma and talent are evident, showing why she has maintained a career for so long.
- Sisterhood Themes: The genuine friendship between the two leads provides a positive representation of female togetherness, even if the context is silly.
- Visual Polish: The production value is high, with decent cinematography that makes the Salem locations look appropriately moody.
The Bad
- Genre Misclassification: Tubi’s decision to label this as “horror” is deceptive and will frustrate genuine fans of the genre.
- GG Magree: Her constant need to be the centre of attention drains the sincerity from every scene and pushes Hudgens into the background.
- Histrionic Reactions: The pair’s over-the-top responses to “ghostly” activity feel manufactured and incredibly immature.
The Ugly: The “Coming of Age” Narrative. The attempt to frame a vacation by two women in their mid-30s as a profound growth experience is both pretentious and slightly delusional.
Should You Watch Dead Hot?
No. It is a 1.2 star vanity project that offers zero value to horror fans and very little to fans of the paranormal. While the production looks professional, the content is vapid and frequently annoying. If you want to see Vanessa Hudgens, watch her actual movies; if you want ghosts, watch a proper documentary. Dead Hot is just celebrity filler at its most indulgent.
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