Horror Movie Reviews

New Fears Eve is a gloriously unapologetic throwback to the era of “bottom shelf” rental gems. While it struggles with a slow setup and some flat acting, the film overcomes its low-budget limitations with a relentless commitment to creative, stomach-churning practical effects and a high kill count. If you value “the red stuff” over high-brow plotting, this office-party-gone-wrong is a bloody good time that knows exactly what it is.

The Confession (2025) offers a genuinely fresh take on the Pied Piper folklore, but can it survive a script that seems determined to bury it under a mountain of generic supernatural tropes and terrible CGI? We take a look at this frustrating exercise in wasted potential.

If found footage horror comes in a multitude of different flavours, Tyler Russell’s The Hem (2025) would be vanilla. A by-the-numbers tale of a haunted church and a spooky bride, it’s the kind of movie made for the undemanding horror fan who prefers familiarity over surprises. We take a look.

Killer Whale (2026) continues the January tradition of terrible aquatic horror movies. Despite a committed performance from Virginia Gardner, this seasploitation flick is sunk by abysmal green screen effects, a remedial script, and a surprisingly boring narrative. Read our full review to see why you should stay on dry land.

Horror in the High Desert 4: Majesty attempts to expand the franchise’s lore with a generational mystery, but the result is a tedious exercise in diminishing returns. With “vintage” footage that looks distractingly digital and a runtime padded by endless walking, this fourth entry offers zero scares and even less narrative progression. Read our full review to see why this franchise is running on fumes.

The Beldham is a beautifully shot but narratively messy exploration of generational trauma. While the ending is impactful, predictable horror beats and a weak script hold it back.

A heist gone wrong turns into a never-ending nightmare in Manor of Darkness (2025). We review this British indie horror that blends a mockumentary setup with a Happy Death Day-style time loop. Does it overcome its sluggish start to deliver a knockout punch? Read our review to find out.

Osgood Perkins is back with Keeper, and it is just as divisive as you’d expect. Visually stunning but undeniably “try-hard,” is this 2025 folk horror a dreamlike masterpiece or just a pretentiously boring slog? We break down the twist, the vibes, and the struggle to stay awake.