The Strangers: Chapter 1 (2024) Review – An Entirely Pointless And Turgid Reboot
The Strangers: Chapter 1: Quick Verdict
The Verdict: A sterile and entirely uninspired retelling of a formula that was perfected sixteen years ago. The Strangers: Chapter 1 fails to justify its existence as the start of a new trilogy, offering nothing but padded chase sequences and telegraphed jump scares. While Madelaine Petsch tries her best with a thin script, the film lacks the suffocating dread and raw intensity of the 2008 original. It is a slow, repetitive, and bumbling slasher that treats its audience like they have never seen a horror movie before. It is a 2-star yawn-fest that feels like a cynical attempt to squeeze blood from a very dry stone. If you have seen the original, you have already seen a much better version of this movie.
Details: Director: Renny Harlin | Cast: Madelaine Petsch, Froy Gutierrez, Rachel Shenton | Runtime: 1h 31m | Release Date: 17 May 2024
Best for: Horror newcomers who haven’t seen the original film and those who don’t mind a very slow, predictable cat and mouse game.
Worth noting: All three films in this new trilogy were shot concurrently in Slovakia over a period of 52 days.
Where to Watch: Amazon🛒
Rating: 2/5 Stars
(Heavily padded first half, lack of tension, entirely derivative)
Welcome to Knockout Horror and to our review of The Strangers: Chapter 1.
Table of Contents
A follow up to a surprising horror hit
I was always slightly surprised by the fan reaction to the 2008 horror movie The Strangers. The premise of the movie was quite simple. A couple, played by Liv Tyler and Scott Speedman, head out to a vacation home for a getaway. The weekend already starts off on a bad foot after a surprise proposal goes completely wrong. Little do the couple realise that it’s about to get a lot worse as they will soon be stirred by a knock at the door. This prompts the arrival of a group of sadistic masked killers hell-bent on doing some stabbing.
At the time, I wasn’t very impressed. In fact, I thought it deserved some serious criticism for making light entertainment out of the Manson family murders that took the lives of Sharon Tate and heir to the Folger’s coffee empire Abigail Folger. I didn’t think it did anything all that new and wasn’t particularly enamoured with it. Years later I would revisit The Strangers for my 2025 31 Days of Halloween marathon and my opinion changed significantly. I actually enjoyed it quite a lot.
The random nature of the violence, the genuinely scary setup, and the feasibility of the plot all clicked with the viewing audience. Despite many critics panning it for being, frankly, a bit derivative, fans lapped it up and the line “because you were home” uttered by Doll-face became pretty damn iconic. A few sequels followed that repeated the formula and, fast-forward to today, we are back with more in the form of The Strangers: Chapter 1.
Why did they bother rebooting the series?
That was my immediate thought upon hearing about this movie. I am not sure why this series needed to be rebooted; especially in the form of a trilogy. After all, this is a story without legs, as it is. Random killers killing random people; there is really nothing to expand on. Apparently, director Renny Harlin disagreed and has three movies worth of crap to bore us with from the Strangers’ world. Yay!
This is going to be one continuous story brought to you over three chapters. The first of which we are looking at today, the second of which is coming in October (actually didn’t release for a whole year because of the poor reception this film received, check out our review right here) and the third sometime in 2026. I hope you are excited, because I sure wasn’t and watching Chapter 1 didn’t help. This is an absolute yawn-fest of a horror movie.
“I am not sure why this series needed to be rebooted; especially in the form of a trilogy. After all, this is a story without legs.”
The story follows late-twenties couple Maya (Madelaine Petsch) and Ryan (Froy Gutierrez) as they head out on a road trip. After stopping at a sketchy diner in a backwater town, the pair return to their car to find it won’t start. Offered help by the local mechanic, they accept and decide to stay in a local Airbnb for the night. Little do they realise that they are in for a less than hospitable welcome from the local crazies.
It’s more of the same but worse
The Strangers: Chapter 1 is more of the same. It is a redux of the Strangers formula only extended over a series of movies rather than condensed into one. That might be fine for some but you are going to lose a lot of what made the original work by stretching it out. First of all, we spend way too long getting into the story.
Maya and Ryan bum around the town for a silly amount of time and there is way too much canoodling between the two. It takes a long time to get into the action and the entire first half feels woefully padded. We really don’t need to know anything at all about these characters.
Secondly, when the action starts, the intense, claustrophobic, and deliberately helpless feeling of the original movie simply isn’t there. Instead, we have an extended and protracted game of cat and mouse that goes on forever.
It’s so formulaic and clichéd that it plays out like a game of “guess the horror trope”. You will know what is coming at every turn. Tension is completely absent, the scares are away on their own vacation somewhere else, and it is very difficult to stay invested.
“Tension is completely absent, the scares are away on their own vacation somewhere else, and it is very difficult to stay invested.”
A big part of the problem is that the villains here feel entirely less capable than they did in the original. They are still omnipresent in that cheesy slasher way but they are kind of bumbling and a bit incapable. Maya and Ryan are afforded numerous chances to escape purely so the chase sequences can be padded out even further. It feels like it goes on forever.
Utterly predictable
Earlier, I briefly touched on how predictable The Strangers: Chapter 1 is but I feel that point needs some emphasis. There are no surprises at all and not a single hint of ingenuity present in this entire film. It’s almost as if each single shot was specifically designed to loudly project every scare. Every scene follows an obvious and apparent path meaning there isn’t a single moment that you won’t see coming. Even the final moments are easily guessed, right up until the last second.
It is entirely disappointing. Look, I get it, horror is a genre that is absolutely packed with tropes. Expecting innovation in every film would be foolish but it is not unreasonable to want said tropes to be handled effectively. It wouldn’t be so bad if the execution was good here but it simply isn’t. This is formulaic slasher crap that’s poorly handled and features no bells and no whistles to make it stand out.
“Every scene follows an obvious and apparent path meaning there isn’t a single moment that you won’t see coming.”
As I said earlier in the review, this formula doesn’t have the legs to carry it through three films. The first movie got everything out of it that you could possibly get without pure recycling. The Strangers: Chapter 1 is trying to squeeze the remaining juice out of a rotten 16-year-old lemon and doesn’t manage a single drop.
Acting is meh!
“Meh”.. That’s betraying my Millennial roots, isn’t it? I just can’t think of a better way to put it. Madelaine Petsch, as Maya, does an okay job. She looks absolutely exhausted in a few scenes, though. Not as in “she is acting”; more as in they are overworking her and she can’t find the energy to emote. They filmed the three iterations of this series concurrently splitting duties between morning, afternoon, and night. That’s a big ask! It’s almost as if you can see her suddenly remembering that she should be looking scared and crying in a few scenes. I actually felt really bad for her.
Froy Gutierrez is pretty bad as Ryan. He is wooden as hell in a few scenes and his performance had both my fiancée and me confused as to his motivations. He has a sinister delivery to some of his lines. Especially when comforting his partner and comes across as very plastic. I can’t really blame him, however, as the script offers his character no depth beyond him being a messy eater and easily angered.
The Good, The Bad & The Ugly
The Good
- Production Values: The film looks polished and the remote Airbnb setting is visually effective, even if underutilised.
- Madelaine Petsch: Despite appearing exhausted, Petsch anchors the film with a committed performance that is better than the material deserves.
The Bad
- Extreme Predictability: There isn’t a single scare or plot beat that genre fans won’t see coming from miles away.
- Pacing: The first half is woefully slow, focusing on trivial town interactions that add nothing to the characters or the tension.
- Villain Decay: The masked killers feel less like menacing forces of nature and more like clumsy slasher caricatures.
The Ugly: The “Trilogy” bloating. Knowing that this thin story is being stretched across two more films makes the lack of progression in this chapter feel even more egregious.
Should You Watch The Strangers: Chapter 1?
Probably not. Unless you are a die-hard completionist of the franchise, your time is much better spent re-watching the original 2008 film. It covers all the same ground with much more intensity, better acting, and a genuine sense of terror that this reboot fails to replicate.
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